Directed by Glen Newton

Roseville Big Band Concert at Shaller Family Sholom Home East Campus,
November 6, 2018, 6:30 - 7:30 p.m.
730 Kay Avenue, Saint Paul 55102 Click here for directions and a map. Band: Wear summer shirts and black slacks.

Dance to the Big Band Swing by Glen Newton (1999), arr. by Glen Newton; a Roseville Big Band original and its opening theme song
(featuring vocalists Karen Dunn and Glen Newton, with solos by drummer Jim Foster and tenor saxophonist Glen Peterson)
This selection is a bonus track on the Roseville Big Band Concert in the Park (+8) CD.

Pink Panther by Henry Mancini (1964), arr. by Henry Mancini
(featuring solos by Glen Peterson, tenor sax, and Dan Theobald, trumpet)

Introduction of the trombone section to the audience.

All of Me by Seymour Simons and Gerald Marks (1931) with additional lyrics by Keith Miner, arr. by Lennie Niehaus; first recorded by Belle Baker ("The Ragtime Singer," who also introduced Irving Berlin's "Blue Skies" in "Betsy"), "All of Me" has become one of the most recorded songs of its era, with notable versions by Billie Holiday, Frank Sinatra, Django Reinhardt, Ella Fitzgerald, and Willie Nelson.
(featuring vocalists Karen Dunn and Keith Miner, with solos by Glen Newton, trumpet; and Glen Peterson, tenor sax, trading fours with trombonist George Henly)

Serenade in Blue by Harry Warren and Mack Gordon (1942), arr. by Mike Lewis; introduced in the 1942 film "Orchestra Wives" by Glenn Miller and His Orchestra
(featuring trumpeter Mark Syman)

Someone to Watch Over Me by George and Ira Gershwin (1926), arr. by Dave Wolpe
(featuring vocalist Karen Dunn)

Introduction of the saxophone section to the audience.

Lullaby of Broadway by Harry Warren and Al Dubin (1935), arr. by Dave Wolpe; from the musical "42nd Street"
(featuring an alto sax solo by Bill Frank)

Satin Doll by Billy Strayhorn, Duke Ellington, and Johnny Mercer (1958), arr. by Sammy Nestico; one of the Duke Ellington classics, played often by Count Basie's band.
(featuring solos by Mike Holt, piano; Mark Syman, flugelhorn; and Ira Adelman, tenor sax; with vocalists Karen Dunn and Glen Newton)

America the Beautiful by Katherine Lee Bates (lyrics, 1893, revised in 1904 and 1913) and Samuel A. Ward (music, "Materna", 1882), arr. by Mike Tomaro; In 1893, at the age of thirty-three, Bates, an English professor at Wellesley College, had taken a train trip to Colorado Springs, Colorado, to teach a short summer school session at Colorado College. Several of the sights on her trip inspired her, and they found their way into her poem, including the World's Columbian Exposition in Chicago, the "White City" with its promise of the future contained within its alabaster buildings; the wheat fields of America's heartland Kansas, through which her train was riding on July 16; and the majestic view of the Great Plains from high atop Zebulon's Pikes Peak. She originally wrote the words as a poem, Pikes Peak, first published in the Fourth of July edition of the church periodical The Congregationalist in 1895. At that time, the poem was titled America for publication. It was retitled "America the Beautiful" when published in 1910 with Ward's music.
(In celebration of Veteran's Day (next Sunday); featuring vocalists Karen Dunn, Keith Miner, and Glen Newton, with the audience singing on the last chorus.)

Introduction of the trumpet and flugelhorn section to the audience.

Pennsylvania 6-5000 by Carl Sigman and Jerry Gray (1940), arr. by Jerry Gray, as played by Glenn Miller and his orchestra; help us by shouting out this famous telephone number!
(featuring solos by Dan Theobald on trumpet and Glen Peterson on tenor sax, with Glen Newton on the telephone and vocal)

Mack the Knife by Kurt Weill and Bertolt Brecht (1928), English words by Marc Blitstein, arr. by Dave Wolpe; from The Threepenny Opera.
(male vocal; featuring vocalist Keith Miner, with a tenor sax solo by Glen Peterson)

Introduction of the rhythm section to the audience

Don't Sit Under the Apple Tree by Lew Brown, Charles Tobias, and Sam Stept (1942), vocal arr. by Glen Newton
(featuring vocalists Karen Dunn and Glen Newton)

Show Me the Way to Go Home by Irving King (1925), arr. by Sammy Nestico; "Irving King" was actually two English songwriters: Jimmy Campbell (1903-1967) and Reg Connelly (1895?-1963).
(featuring solos by Mike Holt on piano, Glen Peterson on tenor sax, and Eric Laska on electric bass)

Roseville Big Band performers for this concert:

Saxes (left to right): Glen Peterson (tenor), Bill Frank (alto), Kay Foster (alto), Ira Adelman (tenor), and Bill Pearson (baritone)
Trumpets and Flugelhorns (left to right): Dan Theobald, Mark Syman, Jake Olsen, and Bob Nielsen
Trombones (left to right): Michael Sweet, Keith Miner, George Henly, and Tom Huelsmann (bass trombone); Glen Newton played trombone while Keith sang "Mack the Knife "
Rhythm (front to back): Mike Holt (piano), Eric Laska (bass), Jim Foster (drums), and Glen Newton (vibraphone)
Vocalists: Karen Dunn, Glen Newton, and Keith Miner