Step to the Rear
Never-Never Land
Ain't Misbehavin'
Summertime
If I Give My heart to You
This Joint is Jumpin'
Little Bit of Happiness
In the Mood by
Joe Garland (1939), arr. by Glenn Miller; #2 on KLBB's All-Time Hits list; #5
on Billboard Magazine's 1955 list of the all-time popular music record standards;
watch the horn moves and the wandering trombonists!
(featuring a dance exhibition by the TC Swing Cats, with solos by Glen
Peterson on tenor sax, Kay Foster on
alto sax, Gene Phares on
trumpet, Glen Newton on vibes, and Fred
Anderson on guitar)
This selection is a bonus track on the Roseville
Big Band Concert in
the Park (+8) CD.
Dance to the Big Band Swing by
Glen Newton (1999), arr. by Glen Newton; a Roseville Big Band original!
(featuring the Rosetones vocal quartet,
with solos by drummer Kenne Thomas
and tenor saxophonist Glen Peterson)
This selection is a bonus track on the Roseville
Big Band Concert in
the Park (+8) CD.
Star Dust
by Hoagy Carmichael and Mitchell Parish (1929), arr. by Dave Wolpe; #1 on KLBB's
All-Time Hits list; #1, #3, #17, and #25 on Billboard Magazine's 1955 list
(featuring solos by Glen Newton, flugelhorn, and vocalist Karen
Dunn)
This selection is available on the Roseville
Big Band Concert in
the Park CD and cassette tape.
The Lady is a Tramp by Lorenz Hart and Richard Rodgers
(1937), arr. by Dave Wolpe, vocal arr. by Glen Newton
(featuring the Rosetones vocal quartet, with a scat vocal solo by Keith
Miner)
Pick Yourself Up by Dorothy Fields and
Jerome Kern (1936), arr. by Sammy Nestico
(featuring solos by Glen Peterson, tenor sax, and Fred Anderson,
guitar)
Moon River by
Henry Mancini and Johnny Mercer (1961), arr. by Joe Reisman, vocal arr. by Glen
Newton
(featuring an alto sax duet by Kay Foster and Bill
Frank, along with the Rosetones vocal quartet)
This selection is available on the Roseville
Big Band Concert in
the Park CD and cassette tape.
Waltzing Matilda by
A. B. Paterson and Marie Cowan (1941), arr. by C. Lloyd; not a waltz at all
- Matilda can swing to this one!
(featuring solos by Kay Foster, alto sax, and Mark
Lee, trumpet)
This selection is available on the Roseville
Big Band Concert in
the Park CD and cassette tape.
The Glory of Love by Billy
Hill (1936), arr. by Dave Wolpe, vocal arr. by Glen Newton
(featuring the Rosetones vocal quartet, with Kay Foster on alto sax)
Cha Cha Cha for Judy
by Marshall Brown (1959), arr. by Marshall Brown; check
out those fast horn moves!
(featuring guest percussionist volunteers
from the audience)
This selection is available on the Roseville
Big Band Concert in
the Park CD and cassette tape.
It Had to Be You by
Gus Kahn and Isham Jones (1924), arr. by Peter Blair
(featuring vocalist Kirk Lindberg,
with a solo by Ann Booth, piano)
This selection is a bonus track on the Roseville
Big Band Concert in
the Park (+8) CD.
This is the Moment
Lucky Day
Sweet Hour of Prayer
42nd Street
Brokenhearted
My Honey's Lovin' Arms
String of Pearls
by Jerry Gray (1942), arr. by Johnny Warrington;
#7 on Billboard Magazine's 1955 list
(with solos by Kay Foster, alto sax, Glen Newton, trumpet, and Ann Booth, piano)
It Don't Mean a Thing
if It Ain't Got That Swing by Duke Ellington (1932),
arr. by Mike Carubia
(featuring the Rosetones vocal quartet, with a trumpet solo by Mark Lee)
This selection is a bonus track on the Roseville
Big Band Concert in
the Park (+8) CD.
You're Nobody 'Til Somebody Loves You by Russ Morgan,
Larry Stock, and James Cavanaugh (1944), arr. by Dave Wolpe
(featuring vocalist Karen Dunn, with a piano solo by Ann Booth)
Georgia on My Mind by
Hoagy Carmichael and Stuart Gorrell (1930), band arr. by Dave Wolpe, vocal arr.
by Glen Newton
(featuring the Rosetones vocal quartet, with a tenor sax solo by Glen Peterson)
This selection is available on the Roseville
Big Band Concert in
the Park CD and cassette tape.
Pennsylvania 6-5000 by Carl Sigman and Jerry Gray
(1940), arr. by Jerry Gray, as played by Glenn Miller and his orchestra
(featuring solos by Harvey Skow on trumpet
and Glen Peterson on tenor sax, with Glen Newton on the telephone)
I've Got a Gal in Kalamazoo by Mack Gordon and Harry
Warren (1942), arr. by Mike Carubia
(featuring the Rosetones vocal quartet)
El Sol Tambien se Pone by Ludar Felsenstein (1991),
arr. by Roger Holmes
(featuring guest percussionist volunteers from the audience, with solos by Rich
Eyman, trombone; Dan Desmonds, tenor
sax; Bob Nielsen, trumpet; Bill
Frank, alto sax; George
Henly, trombone; Gene Phares, trumpet; Mike
Bratlie, trombone; and Keith Miner, bass trombone)
What a Wonderful World by George David Weiss and
Bob Thiele (1967), arr. by Jerry Nowak, vocal arr. by Glen Newton; recorded
by Louis Armstrong
(featuring the Rosetones vocal quartet)
Show Me the Way to Go Home by Irving King
(1952), arr. by Sammy Nestico
(featuring solos by Glen Peterson on tenor sax, Ann Booth on piano, and
Mike Wobig on electric bass)
**** Announcement of Silent Auction Winners ****
****Intermission music by Eggz, a young jazz trio of bass, drums, and alto sax ****
TC Swing Cats dancers on "In the Mood": Terry and Cindy Gardner and Chuck and Maro Lambert
Roseville Big Band performers for this concert / dance:
Saxes: Kay Foster (alto), Bill
Frank (alto), Glen Peterson (tenor),
Dan Desmonds (tenor), and Bill
Pearson (baritone and clarinet)
Trumpets and Flugelhorns: Mark Lee, Gene
Phares, Harvey Skow, Bob
Nielsen, and Glen Newton
Trombones: Mike Bratlie, George
Henly, Rich Eyman, and Keith
Miner (bass trombone)
Rhythm: Ann Booth (piano), Fred
Anderson (guitar), Mike Wobig (bass),
Kenne Thomas (drums), and Glen
Newton (vibraphone and timbales)
Vocalists: The Rosetones (Karen Dunn,
Diane Dolinar, Kirk
Lindberg, and Glen Newton) and Keith Miner
Despite the difficulty of finding parking, due to hockey tournaments, many band members arrived by 6:00 to help unload and get our equipment set up before dance lessons began. We wore black and white with jackets and the band's blue ties and cummerbunds. The band relaxed during dance lessons 7:00-7:55 by Terry and Cindy Gardner of TC Swing, enjoying pizza (delivered a bit on the late side) and water. There was no intermission and no break between sets. The chorus performed on the risers to the band's right, and the band was on the band stand; because of limited front-to-back space, Glen directed from next to the 2nd tenor sax, rather than in front. The audience was welcome to dance to any of the Roseville Big Band selections except the first one, "In the Mood," which featured a dance exhibition. The silent auction bidding stopped at 10:10, and Glen announced the winners at the end of set 4. There were 350-400 paid admissions at $25 each for tables or $20 for seats at the back. The higher-than-normal price included both the show and the afterglow, which in previous years was priced separately and held at a different location from the show.
The band sold one tape and one CD.