Dance to the Big Band Swing by
Glen Newton (1999), arr. by Glen Newton; the Roseville Big Band opening theme
(featuring vocalist Glen Newton, with solos by drummer Dave Tuenge and tenor saxophonist Glen Peterson)
This selection is a bonus track on the Roseville Big Band Concert in the Park (+8) CD.
|I Got Rhythm by George and Ira Gershwin
(1928), arr. by Dave Wolpe; originated as a slow number in the Gershwins'
1928 flop, "Treasure Girl," which closed on Broadway after 68
performances; its familiar jauntily upbeat version in "Girl Crazy"
(1930) featured 23-year-old Ethel Merman making her Broadway debut. It was
also featured in "Crazy for You," the 1992 Broadway Tony Award-winner
that was loosely based on "Girl Crazy."
(featuring trombonist Mike Bratlie)
I've Got You Under My Skin by Cole Porter
(1936), arr. by Mark Taylor; introduced in the 1936 MGM musical "Born to
Dance" and nominated for an Academy Award for Best Song
(featuring vocalist Bruce Bailey)
Goodbye Pork Pie Hat by Charles Mingus
(1972), arr. by Sy Johnson; Charles Mingus' best-known
composition, dedicated to the memory of tenor saxophonist Lester Young
(featuring guest tenor saxophone soloist A. J. Mundahl)
|Pennsylvania 6-5000 by
Carl Sigman and Jerry Gray (1940), arr. by Jerry Gray, as played by Glenn
Miller and his orchestra; help us by shouting out this famous telephone
(featuring solos by Dan Theobald on trumpet and Glen Peterson on tenor sax, with Glen Newton on the telephone)
|Dan Theobald plays a hot trumpet solo.|
Smoke Gets in Your Eyes by Otto Harbach
and Jerome Kern (1933), arr. by Steve Wright
(featuring alto sax soloist Kay Foster)
Liechtensteiner Polka by Ed Kotscher and
Rudi Lindt (1957), arr. by Johnny Warrington; join in on the "Ja, ja, ja"
and "Nein, nein, nein" shouts in the bridge!
(featuring vocalist Glen Newton)
Oh, You Beautiful Doll by A. Seymour Brown
and Nat D. Ayer (1911), arr. by Dave Wolpe
(featuring solos by Glen Peterson on tenor sax and Glen Newton on E-flat flute)
Augie's Turn composed and arranged by Len
Yaeger (2007); Len's newest composition for the Roseville Big Band!
(featuring solos by Mark Lee on the trumpet, Glen Newton on the E-flat flute, Rich Eyman on the trombone, and John O'Loughlin on the guitar)
Introduction of the trombone section to the audience
Come Fly with Me by Jimmy Van Heusen
and Sammy Cahn (1957), arr. by Jason Lingle; medium key version
(featuring vocalist Bruce Bailey, with a tenor sax solo by Glen Peterson)
Route 66 by Bobby Troupe (1946),
arr. by Bob Lowden
(featuring solos by Ann Booth on piano; A. J. Mundahl on tenor sax; George Henly on trombone; Bill Frank on alto sax; and Mike Wobig on electric bass)
|As Long as I'm Singing by Bobby Darin
(1962), arr. by Jerry Nowak
(featuring vocalist Glen Newton, with a baritone saxophone solo by Bill Pearson)
Introduction of the trumpet section to the audience
Satin Doll by Billy Strayhorn, Duke
Ellington, and Johnny Mercer (1958), arr. by Sammy Nestico; one of the Duke
Ellington classics, played often by Count Basie's band.
(featuring solos by Ann Booth, piano, Harvey Skow, flugelhorn, and Dan Desmonds, tenor sax)
Bluesette by Norman Gimbel and Jean ("Toots")
Thielemans (1963), arr. by Mike Tomaro; originally written as a jazz waltz but
arranged by Tomaro as a 4/4 samba; first performance by the Roseville Big Band!
(featuring trombonist Rich Eyman, with a tenor sax solo by Glen Peterson)
Introduction of the rhythm section to the audience
Brazil by Ary Barroso (1939), arr.
by Dave Wolpe
(featuring guest percussionists from the audience, with solos by Dave Tuenge, drums, Kay Foster, alto sax, and Glen Peterson, tenor sax)
Beer Barrel Polka by Jaromir Vejvoda, Wladimir
A. Timm, and Vasek Zeman (1934, "Skoda Lasky"), English text by Lew
Brown (1939), arr. by Vic Schoen; sing along with us!
(featuring vocalists Bruce Bailey and Glen Newton)
Ball by Joe Bishop and Woody Herman (1939),
arr. by Glenn Osser; Woody Herman's theme song
(featuring solos by Glen Newton and Dan Theobald, trumpets; Bill Frank, alto sax; George Henly, trombone; A. J. Mundahl, tenor sax; John O'Loughlin, guitar; Harvey Skow, trumpet; Rich Eyman, trombone; Dan Desmonds, tenor sax; and Mike Wobig, electric bass)
This selection is available on the Roseville Big Band Concert in the Park CD and cassette tape.
Introduction of the sax section to the audience
|Show Me the Way to Go Home by Irving
King (1952), arr. by Sammy Nestico; the Roseville Big Band closing theme
(featuring solos by Glen Peterson on tenor sax, Ann Booth on piano, and Mike Wobig on electric bass)
Roseville Big Band performers for this concert:
Saxes: Kay Foster (alto and flute), Bill
Frank (alto and flute), Glen Peterson
(tenor), Dan Desmonds (tenor and clarinet),
Bill Pearson (baritone), and guest tenor
saxophonist A. J. Mundahl
Trumpets and Flugelhorns: Mark Lee, Dave Kalinoff, Harvey Skow, and Dan Theobald
Trombones: Mike Bratlie, George Henly, Rich Eyman, Tom Huelsmann (bass trombone)
Rhythm: Ann Booth (piano), John O'Loughlin (guitar), Mike Wobig (bass), Dave Tuenge (drum set and timbales), Jim Foster (drum set on "Brazil") and Glen Newton (vibraphone, trumpet, and E-flat flute)
Vocalists: Glen Newton and Bruce Bailey
Despite temperatures in the high 80's, we had about 300 people in the audience, the largest crowd in the Salo Park series and about twice the usual number of audience members. For many audience members, this was their first exposure to the Roseville Big Band. The audience included composer Len Yaeger, who explained to the audience the meaning of the title of his composition, "Augie's Turn."