The Lady is a Tramp by Lorenz Hart
and Richard Rodgers (1937), arr. by Dave Wolpe
(featuring vocalists Karen Dunn
and Glen Newton, with a guitar solo by Nick
Johnson and a scat vocal solo by Keith
Miner)
Pennsylvania 6-5000 by Carl Sigman
and Jerry Gray (1940), arr. by Jerry Gray, as played by Glenn Miller and his
orchestra; help us by shouting out this famous telephone number!
(featuring solos by Kari Coad
on trumpet and Al Burns on
tenor sax, with Glen Newton on the telephone)
I'm Gonna Sit Right Down and Write Myself a Letter by
Joe Young and Fred E. Ahlert (1935), arr. by Dave Wolpe
(featuring vocalist Karen Dunn, with soprano sax soloist Kay
Foster)
Slow Dance for Lynn by Len Yaeger (2006)
(featuring a trumpet solo by Mark Lee and
a baritone sax solo by Bill Pearson)
Straighten Up and Fly Right by Nat King
Cole and Irving Mills (1944), arr. by Stephen Bulla
(featuring vocalist Keith Miner, with a band vocal and instrumental solos by
Ann Booth on piano and Nick Johnson on guitar)
Skylark by Johnny Mercer and Hoagy Carmichael (1941),
arr. by Jerry Nowak
(featuring vocalist Karen Dunn)
Liechtensteiner Polka by Ed Kotscher and
Rudi Lindt (1957), arr. by Johnny Warrington
(featuring vocalist Glen Newton)
Waltz for Debby by Bill Evans (1964), arr. by Keith
Foley
(featuring vocalist Karen Dunn, with a vibraphone solo by Glen Newton, an alto
sax solo by Bill Frank, and a piano solo
by Ann Booth)
El Sol Tambien se Pone by Ludar Felsenstein (1991),
arr. by Roger Holmes
(featuring guest percussionists from the audience, with solos by Bob
Nielsen, trumpet, George
Henly, trombone, Bill Frank, flute, and Rich
Eyman, trombone)
Don't Know Why by Jesse Harris (2002),
arr. by Paul Murtha; recorded by Norah Jones
(featuring vocalist Karen Dunn)
Satin Doll by Billy Strayhorn, Duke Ellington, and
Johnny Mercer (1958), arr. by Sammy Nestico; one of the Duke Ellington classics,
played often by Count Basie's band.
(featuring solos by Ann Booth, piano; Harvey
Skow, flugelhorn; and Dan Desmonds,
tenor sax; with vocalists Karen Dunn and Glen Newton)
How About You? by Ralph Freed and Burton Lane (1941),
arr. by Dave Wolpe
(featuring vocalists Karen Dunn and Glen Newton, with instrumental solos
by Al Burns, tenor sax, and Glen Newton, bass trombone)
Show Me the Way to Go Home by Irving King
(1952), arr. by Sammy Nestico; one of the Roseville Big
Band's closing theme songs
(featuring solos by Al Burns on clarinet, Ann Booth on piano, and Mike
Wobig on electric bass)
Roseville Big Band performers for this concert:
Saxes: Kay Foster (alto), Bill
Frank (alto and flute), Al
Burns (tenor and clarinet), Dan Desmonds
(tenor), and Bill Pearson (baritone)
Trumpets and Flugelhorns: Kari
Coad, Mark Lee, Harvey
Skow, and Bob Nielsen
Trombones: Greg Michnay,
George Henly, Rich
Eyman, and Keith Miner (bass trombone)
Rhythm: Ann Booth (piano), Nick
Johnson (guitar), Mike Wobig (bass),
Dave Tuenge (drum set),
and Glen Newton (vibraphone)
Vocalists: Glen Newton, Karen
Dunn, and Keith Miner